“This man, who took no joy in the ways of his brethren — who cared not for conquest, and fretted in the field — this designer of quaint patterns — this deviser of the beautiful — who perceived in Nature about him curious curvings, as faces are seen in the fire — this dreamer apart, was the first artist.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
“And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master — her son in that he loves her, her master in that he knows her.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
“It is a strange thing how little in general people know about the sky. It is the part of creation in which nature has done more for the sake of pleasing man, more for the sole and evident purpose of talking to him and teaching him, than in any other of her works, and it is just the part in which we least attend to her.”
— John Ruskin, Modern Painters, Volume 1 (1843)
“And it does me good to do what’s difficult. That doesn’t stop me having a tremendous need for, shall I say the word — for religion — so I go outside at night to paint the stars, and I always dream a painting like that, with a group of lively figures of the pals.”
— Vincent van Gogh, Letters of Vincent van Gogh (1888)
“It’s not good to know only one thing; it stultifies one. One shouldn’t rest until one also knows the opposite.”
— Vincent van Gogh, Letters of Vincent van Gogh (1888)
“[T]he sky is for all; bright as it is, it is not 'too bright, nor good, for human nature's daily food;' it is fitted in all its functions for the perpetual comfort and exalting of the heart, for the soothing it and purifying it from its dross and dust.”
— John Ruskin, Modern Painters, Volume 1 (1843)
“[I]n my case the emotions that take hold of me in the face of nature go as far as fainting, and then the result is a fortnight during which I am incapable of working.”
— Vincent van Gogh, Letters of Vincent van Gogh (1890)
“Sometimes there’s something indescribable in those effects — it’s as if the whole of nature is speaking — and when one goes home one has the same feeling as when one has just finished a book by Victor Hugo, for example.”
— Vincent van Gogh, Letters of Vincent van Gogh (1882)
“The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature.”
— Leonardo da Vinci, The Notebooks of Leonardo da Vinci (Richter translation)
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