“It is in quiet and subdued passages of unobtrusive majesty, the deep, and the calm, and the perpetual, — that which must be sought ere it is seen, and loved ere it is understood”
— John Ruskin, Modern Painters, Volume 1 (1843)
“Satisfied that, even were he never to appear, the story of the beautiful is already complete — hewn in the marbles of the Parthenon — and broidered, with the birds, upon the fan of Hokusai — at the foot of Fusi-yama.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
“[T]here is not a moment of any day of our lives, when nature is not producing scene after scene, picture after picture, glory after glory, and working still upon such exquisite and constant principles of the most perfect beauty, that it is quite certain it is all done for us, and intended for our perpetual pleasure.”
— John Ruskin, Modern Painters, Volume 1 (1843)
“Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful — as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
“Ideas of beauty are among the noblest which can be presented to the human mind, invariably exalting and purifying it according to their degree”
— John Ruskin, Modern Painters, Volume 1 (1843)
“The masterpiece should appear as the flower to the painter — perfect in its bud as in its bloom — with no reason to explain its presence — no mission to fulfil — a joy to the artist — a delusion to the philanthropist — a puzzle to the botanist — an accident of sentiment and alliteration to the literary man.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
“And in a painting I’d like to say something consoling, like a piece of music. I’d like to paint men or women with that je ne sais quoi of the eternal, of which the halo used to be the symbol, and which we try to achieve through the radiance itself, through the vibrancy of our colorations.”
— Vincent van Gogh, Letters of Vincent van Gogh (1888)
“All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy.”
— John Ruskin, The Stones of Venice, Volume 2 (1853)
“Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge.”
— Vincent van Gogh, Letters of Vincent van Gogh (1882)
“I’d very much like to see Millet reproductions in schools, I think there would be children who became painters if only they saw good things.”
— Vincent van Gogh, Letters of Vincent van Gogh (1889)
“To paint it I would have had to kill it, and that would have been a shame since the animal was so beautiful.”
— Vincent van Gogh, Letters of Vincent van Gogh (1889)
“And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master — her son in that he loves her, her master in that he knows her.”
— James McNeill Whistler, The 'Ten O'Clock' lecture, in The Gentle Art of Making Enemies (1885)
Every quote in this collection was verified
against its original public-domain source — the letter, journal, poem or treatise it
truly comes from. No internet folklore, no misattributions.
Start free to bring these voices into your daily practice.