Voices of the Muses

The world's great painters, poets, composers and thinkers wrote constantly about how to live — in letters, journals and the works themselves. This is that wisdom, gathered and verified: a companion for your day, and a doorway into the arts they made.

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Today's voice
“Let us rather submit with firmness to His almighty will, in the full conviction that it will prove for our good, as he does nothing without a cause.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1778)
Composer, 1756–1791
What this is, and how to use it

Not a quote site. A daily practice, and a door.

1

Find a voice for your day

Filter by what you're living through — courage, solace, gratitude, stillness — and hear how someone who lived by their art faced the same thing. Every quote is real: traced to the letter, page or verse it was actually written in, never internet folklore.

2

Don't just read — sit with it

Take one voice, not twenty. Read it slowly, twice. Ask what it would change about your afternoon if it were true. That single unhurried minute is the smallest version of every practice ImagineArts teaches.

3

Follow the voice to its art

Each voice is a door: Van Gogh's letters lead to really looking, Seneca leads to the examined life, the Psalms lead to awe. When a voice grabs you, start free and learn the practice behind it.

12 verified voices in Music · 12 shown here, a fresh sample each day

“Love me as I love you, and then we shall never cease loving each other.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1777)
“One man has got a purse, but another has got the money, and he who has neither has nothing; and nothing is even less than little; while, on the other hand, much is a great deal more than nothing, and nothing can come of nothing.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1779)
“Thus I wandered, shooting or singing, careless where I might pass the night; sometimes hurrying, again stopping to investigate some ancient tomb, to listen silently to the distant bells of St Peter's, far away in the plain; interrupting my hunt for a flock of lapwing to jot down a note for a symphony, and, in short, enjoying to the full my absolute freedom.”
— Hector Berlioz, The Life of Hector Berlioz as Written by Himself in His Letters and Memoirs (trans. Katharine F. Boult, 1903) (1831)
“As for myself, I wander about here with music paper, among the hills and dales and valleys, and scribble a great deal to get my daily bread”
— Ludwig van Beethoven, Beethoven's Letters 1790-1826 (trans. Lady Grace Wallace, 1866), Vol. 2 (1818)
“Yesterday I played the whole of Eugene Oniegin, from beginning to end. The author was the sole listener. I am half ashamed of what I am going to confide to you in secret: the listener was moved to tears, and paid the composer a thousand compliments.”
— Pyotr Ilyich Tchaikovsky, The Life and Letters of Peter Ilich Tchaikovsky, ed. Modeste Tchaikovsky (trans. Rosa Newmarch, 1906) (1878)
“I am well and lively and happy as ever, and as glad to travel. I made an excursion on the Mediterranean.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1770)
“To make the fair sex faint is the highest triumph to which any composer can attain.”
— Pyotr Ilyich Tchaikovsky, The Life and Letters of Peter Ilich Tchaikovsky, ed. Modeste Tchaikovsky (trans. Rosa Newmarch, 1906) (1879)
“When you have done your musical day's work and feel tired, do not exert yourself further. It is better to rest than to work without pleasure and vigour.”
— Robert Schumann, Advice to Young Musicians / Musikalische Haus- und Lebensregeln (trans. Henry Hugo Pierson, 1860) (1848)
“Above us we have a violinist, below us is another, next to us a singing-master, who gives lessons, and, in the room opposite, a hautboy-player. This is famous for a composer--it inspires so many fine thoughts.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1771)
“My head and my hands are so fully occupied with my third act, that it would not be wonderful if I turned into a third act myself, for it alone has cost me more trouble than the entire opera; there is scarcely a scene in it which is not interesting to the greatest degree.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1781)
“My sole recreations consist in dancing English hornpipes and cutting capers. Italy is a land of sleep; I am always drowsy here.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1770)
“I should like to know the reason why indolence is so highly prized by very many young men, that neither by words nor blows will they suffer themselves to be roused from it.”
— Wolfgang Amadeus Mozart, The Letters of Wolfgang Amadeus Mozart, Vol. 1 (trans. Lady Grace Wallace, 1865) (1769)
The Salon library

This is today’s sample of twelve. The whole collection is in the Salon.

Salon members read all 746 English quotes and the Afrikaans collection too, with every filter, the plain-words notes from A Year with the Muses, the quotes they save, and a private journal for the lines that stay with them.

Join the SalonAlready a member? Open the library →

Every quote in this collection was verified against its original public-domain source — the letter, journal, poem or treatise it truly comes from. No internet folklore, no misattributions. Start free to bring these voices into your daily practice.